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Iko, video artist from Rimini. I have worked as an IT technician for about twelve years and I have a good relationship with IT technology. I often used IT tools for a practical application of my interests and recreational activities. Presently I’m producing videos made of computed-edited photos and appropriate music and words. In Dipingendo I portrayed the making of a painting for in leisure time and in a given place. I made about six hundred photos of two paintings starting from the blank canvas: step by step the painting photos turned into two and a half minutes of video and music, that I produced myself electronically (groove box, synthesiser), everything edited together thanks to video production software. I have a digital camera which simplifies life by cutting
photo development costs. Obviously computer science enables you to gain almost unlimited control of what you produce and this is good, but I think the producer’s spirit always is the undisputed master of any product, whether artistic or not. I’m a bit scared of the word art, since it’s a much abused term and sometimes I don’t really want to fall into any categories. I don’t like talking much of what I do, making is the only thing which matters. There isn’t much to talk about. The nice part of it is that when making something, when a project materializes in time and space, it is somehow distorted, physically or not, for different reasons. This “random” factor is really fascinating for me. Sometimes I don’t know what to do, but I start
working anyway. Then, slowly, everything takes form and substance. This
is very stimulating. I’m really happy to do what I do not plan.
Often I realise that even mistakes are important because they open up
the door to unforeseen prospects: new scenarios and solutions that I hadn’t
taken into account before. So I let myself be lead by mistakes, which
produce new points of view for an artistic creation and, sometimes, give
it a new birth. Basically, to me all this is essentially a game making
me feel the same pleasant and relaxing sensations as one is imbued with
after any kind of play. If I had to define the essence of what I do I’d
say it is pretty much like pursuing a sparkling fragment of something
fleeing away, like a comet. Something shining, moving in the air and having
the value of a tiny dream, a wish, an inspiration, a chimera after which
I strive and can never grasp the right moment. Maybe it’s a sort
of metaphor for running after the present or at least its most magic part.
What I re-invent and record on a CD Rom it’s this fragment I catch
glimpse of and lose immediately after.
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